Variations on a Theme

Variations on a Theme

Left: Richard Baker, Manifestoes of Surrealism, gouache on paper, 12.75 x 10.75 in.

Right: Richard BakerNadja, gouache on paper, 12.75 x 10.75 in.

Left: Richard Baker, French Symbolist Poetry, gouache on paper, 12.75 x 10.75 in.

Right: Richard Baker, Illuminationsgouache on paper, 12.75 x 10.75 in.


                                                                          Richard Baker, Night Table, oil and collage on wood, 19 x 19 1/2 in.


                                                                                              Richard Baker, Tussle, oil on canvas, 50 x 37 in.


                                                                                  Richard Baker, Cascade, 25 x 20, oil on canvas, 25 x 20 in

                                                            Tabitha Vevers, Lover's Eye I: Helga, (after Wyeth)oil on ivorine, 2 1/2 x 4 1/8 in

                                                                      Tabitha Vevers, Lover's Eye I: Bacchus After Cranachoil on ivorine, 2 1/2 x 3.5 in          

                                                            Tabitha Vevers, Lover's Eye: No. 25 (after Pierson)oil on ivorine, 2 1/2 x 4 1/8 in.


                                                                     Tabitha Vevers, Lover's Eye I: Victorine, (after Manet), oil on ivorine, 4 1/4 x 2 1/2 in.

Catherine McCarthy, How Far Would You Gooil on canvas, 26 x 62 in.

                                                                                        Catherine McCarthy, Dadoil on panel, 10 x 10 in.

Catherine McCarthy, Yours Trulyoil on canvas, 30 x 40 in.


Catherine McCarthy, And the Ship Sailed Onoil on canvas, 26.5 x 46.5 in.


Elizabeth Harris, Entanglement II, encaustic, graphite and textiles on panel, 30 x 40 x 2 in.


Elizabeth Harris, Dark Energy III, encaustic, graphite and marble dust on panel, 24 x 36 x 2 in.


Elizabeth Harris, Entanglement II1, encaustic, graphite and textiles on panel, 36 x 48 x 2 in.

Elizabeth Harris, Dark Matter III, encaustic, graphite and marble dust on panel, 36 x 48 x 2 in.

                                                                                   Jill Greenberg, Grand Old Party, archival pigment photograph, 50x43                                                      

Left: Jill Greenberg, Deniability, archival pigment photograph, 50 x 43 in. ed of 10 and 2 AP

Right: Jill Greenberg, The Rapture Index, archival pigment photograph, 50 x 43 in. ed of 10 and 2 AP.

Left: Holly Farrell, Tammy (Red Buttons), acrylic and oil on masonite, 20 x 18 in.

Center: Holly Farrell, Tammy (Red Gingham), acrylic and oil on masonite,  20 x 18 in.

                      Holy Farrell, Cookbooks, acrylic and oil on masonite, 14 x 24  in.


Holly Farrell, Cookbooks, acrylic and oil on masonite, 18 x 46 in.


Left: Holly Farrell, Bow Ties, acrylic and oil on masonite, 24 x 10 in.

Cener: Holly Farrell, Teacups, acrylic and oil on masonite,  3 panels @ 8 x 10 in. ea.

Right: Holly Farrell, Soap, acrylic and oil on masonite, 20 x 10 in.


Left: Bowl, acrylic and oil on masonite, 15 x 19 in

Right: Phone, acrylic and oil on masonite, 18 x 14 in


Left: Muriel Kalish, Bird with Cherries, oil on canvas, 36 x 36

Right: Muriel Kalish, , oil on canvas


Muriel Kalish, The Cat, oil on canvas, 34 x 46

Left: Barbara Kassel, Bagni Di Lucca Interior, oil on panel, 9 x 12 in.

Right: Barbara Kassel, Three Cypresses, oil on panel, 11 x 14 in.

            David Moore, Compositus XIV, oil on linen, 16 x 36 in

           David Moore, Compositus XIV, oil on linen, 16 x 30 in

            David Moore, Compositus XXVII, oil on linen, 16 x 36 in


          Left: Roger Kizik, BVoltri, acrylic on canvas, 30 x 24

         Right: Roger Kizik, Will and Grace, oil on canvas, 30 x 24


Roger Kizik, Ulation, acrlic on canvas, 60 x 48


                                Roger Kizik, Renzo, acrlic on canvas, 24 x 30