Caroll, Lawrence: I Have Longed to Move Away, Works 1985-2017
5 Continents Editions Srl
2019
First Edition
This catalogue accompanies the monographic exhibition that Museo Vincenzo Vela, in Mendrisio-Ligornetto, has dedicated to the works of Lawrence Carroll (b. 1954). Born in Melbourne, Carroll moved to California with his family in 1958. Some twenty-five years later, in 1984 he moved once again, to New York, where he pursued his artistic development, having little concern for the fashions of the moment but a profound sense of personal commitment and dedication to the language and practice of painting. As he understands it, painting abuts on many other art forms: in his hands it becomes the slow stratification of color, materials, and objects, in which the surface of the painting interacts with the surrounding environment, blurring the borders between painting, sculpture, and installation.
5 Continents Editions Srl
2019
First Edition
This catalogue accompanies the monographic exhibition that Museo Vincenzo Vela, in Mendrisio-Ligornetto, has dedicated to the works of Lawrence Carroll (b. 1954). Born in Melbourne, Carroll moved to California with his family in 1958. Some twenty-five years later, in 1984 he moved once again, to New York, where he pursued his artistic development, having little concern for the fashions of the moment but a profound sense of personal commitment and dedication to the language and practice of painting. As he understands it, painting abuts on many other art forms: in his hands it becomes the slow stratification of color, materials, and objects, in which the surface of the painting interacts with the surrounding environment, blurring the borders between painting, sculpture, and installation.
5 Continents Editions Srl
2019
First Edition
This catalogue accompanies the monographic exhibition that Museo Vincenzo Vela, in Mendrisio-Ligornetto, has dedicated to the works of Lawrence Carroll (b. 1954). Born in Melbourne, Carroll moved to California with his family in 1958. Some twenty-five years later, in 1984 he moved once again, to New York, where he pursued his artistic development, having little concern for the fashions of the moment but a profound sense of personal commitment and dedication to the language and practice of painting. As he understands it, painting abuts on many other art forms: in his hands it becomes the slow stratification of color, materials, and objects, in which the surface of the painting interacts with the surrounding environment, blurring the borders between painting, sculpture, and installation.