Karen Hackenberg

Artist Bio Artist Work

Karen Hackenberg received her BFA in painting from RISD, moved west to live for a decade and a half in San Francisco, and now lives and works near Seattle, WA.

In her ongoing painting and drawing series, she takes a light-hearted yet subversive approach to the serious subject of ocean degradation, presenting a tongue-in-cheek taxonomy of imaginary post-consumer sea creatures. Working traditionally with oil, gouache, colored pencil, and graphite, she lovingly and meticulously crafts images of beach trash, aiming to create a provocative visual juxtaposition of form and idea.

Her paintings are inspired by the incongruity of the man-made detritus that washes up on the otherwise pristine beach below her studio – plastic shards, plastic bottles, plastic toy animals, shotgun shells, and product packages, to name a few. With her ear to the sand for a close view, she poses and photographs the flotsam on the beach where it strands in a semi-documentary style, and then uses the photos as reference for her paintings. The resulting compositions often depict the beach trash as monolithic in the seascape, and provide visual metaphors for the overwhelming magnitude of the issue of marine debris. She is influenced by Pop Art of the 1960s – Claes Oldenburg’s monumental everyday objects, as well as Ed Ruscha’s paintings combining marketing graphics with images of nature.

In Hackenberg’s new Sea Tangle Suite of drawings, she expands on environmental themes by working from direct observation on the beach, drawing freehand directly onto the screen of an iPad Pro with a digital Apple Pencil, using a technique similar to that of David Hockney in his iPad landscape drawings. In both cases, the process of creating of these images resembles that of traditional printmaker’s hand-pulled prints, where there is no other original besides the print. Hackenberg’s Sea Tangle drawings are intentionally unfinished to embrace an open-ended and unresolved aesthetic, and are produced in limited editions of fifteen archival pigment prints on Arches paper.

Her work was recently chosen for the noteworthy exhibition, Northwest Art Now at the Tacoma Art Museum, curated by TAM’s Rock Hushka, and Juan-Roselione, curator of the Rubell Family Collection, Miami. Her additional museum exhibitions include a solo exhibition at Bainbridge Island Museum of Art; the U.S. traveling Environmental Impact show; Neo-Naturalists at Museum of Northwest Art; Stilleven: Contemporary Still Life at Hallie Ford Museum of Art; and Beneath the Surface: Rediscovering a World Worth Conserving at A.A.A.S. headquarters, Washington DC.

Her green sensibility has earned a place in numerous private and public collections, including the New York State Museum, NY, the Portland Art Museum, OR, the Tacoma Art Museum, WA, the Washington State Art Collection, Bainbridge Island Museum of Art, WA, and the Hallie Ford Museum of Art, OR.

Education

B.F.A. Painting, Rhode Island School of Design, Providence, RI

Related Professional Experience

2013-16

Panel, Exhibiting Artists, Environmental Impact Exhibition, St. Mary’s College Museum of Art, Moraga, CA

2015       

Panel, Exhibiting Artists and NOAA scientists, Neo-Naturalist Exhibition, Museum of Northwest Art, La Conner, WA

2014       

Instructor, IslandWood, Bainbridge Island, WA
Juror / Curator, Art Convergence, Regional Exhibition, Port Angeles Fine Arts Center, Port Angeles, WA

2013

Studium Generale Lecturer, Peninsula College, Seattle, WA

2012-13

Painting Instructor, Gage Academy of Art, Seattle, WA

2012

Lecturer Edge Professional Development Program, Artist Trust, Seattle, WA

Selected Public Collections

Peninsula College, Washington State Arts Commission, Port Angeles, WA
Tacoma Art Museum, Tacoma, WA
Portland Art Museum, Portland, OR
Hallie Ford Museum of Art, Salem, OR
U.C. Berkeley, Environmental Design Library, Berkeley, CA
Carnegie Mellon University Library, Rare Books, Pittsburgh, PA
Washington State Art Collection, Port Angeles, WA
Bainbridge Island Museum of Art, Bainbridge Island, WA
New York State Museum, Albany, NY
Providence Medical Center, Everett, WA

Awards

2017 

USA Fellowship Nominee, United States Artists, Chicago, IL
James W. Ray Distinguished Artist Nominee, Artist Trust, Seattle, WA

2016
Purchase Award, NW Art Now, Tacoma Art Museum, Tacoma, WA

2014
Nomination: Contemporary Northwest Art Awards, Portland Art Museum, Portland, OR

2013
Excellence Award, Jake Seniuk, Environments Exhibition, Art at the Port, Anacortes, WA
Juror Award, Justin Gibbons, Linda Tesner, 10x10x10xTieton Exhibition, Mighty Tieton Gallery, Tieton, WA

2011
Grants for Artist Projects (GAP), Artist Trust, Seattle, WA
Best of Seattle Art Walk Award Finalist, Vermillion Gallery Exhibition, City Arts Magazine, Seattle, WA
Juror Award, People’s Choice Award, Rock Hushka, Couplings Exhibition, Gallery 110, Seattle, WA
Special Juror Award, Rock Hushka, Expressions Northwest Exhibition, Port Townsend, WA
Special Award, Gary Faigin, Expressions Northwest Exhibition, Port Townsend, WA

2010
Best of Show, 2D, Esther Luttikhuizen, Next Exhibition, Arts at the Port, Anacortes, WA

2008
First Place, 2D, Susan Parke, CVG Show, Bremerton, WA
Juror Award, K.C. Potter de Haan, About Face Exhibition, Port Townsend, WA

2006
Juror Award, Susan Parke, Expressions Northwest Exhibition, Port Townsend, WA

2005
Juror Award, Esther Luttikhuizen, Expressions Northwest Exhibition, Port Townsend, WA
Special Juror Award, Jake Seniuk, Expressions Northwest Exhibition, Port Townsend, WA

2003
Juror Award, Greg Bell, Art Port Townsend Exhibition, Port Townsend, WA

Selected Solo Exhibitions

2018

Karen Hackenberg: Artist As Activist, Port Townsend School of the Arts, Art Experience Gallery, Port Townsend, WA
Karen Hackenberg: Watershed and Divining Line, Esvelt Gallery, Columbia Basin College, Pasco, WA

2017

Karen Hackenberg, Helen S. Smith Gallery, Green River Community College, Auburn, WA

2016

Oil and Water, Smith and Vallee Gallery, Edison, WA

2015

Karen Hackenberg: Watershed, Bainbridge Island Museum of Art, Bainbridge Island, WA

2014

On the Beach, Skagit Valley College Art Gallery, Mount Vernon, WA

2013

Watershed, Paper Hammer Gallery, Seattle, WA

2012

Strand, Shoreline Community College Gallery, Shoreline, WA
The Art of Karen Hackenberg, Bainbridge Arts and Crafts Gallery, Bainbridge Island, WA

2011

Watershed, Vermillion Art Gallery, Seattle, WA

2009

Divining Line, The Gallery at OK Hotel, Seattle, WA

Selected Two-Person Exhibitions

2017       

Karen Hackenberg and Michael Felber, Aljoya at Thornton Place, Seattle, WA

2014       

Salish Stories, Simon Mace Gallery, Port Townsend, WA

2011       

Material World, Northwind Arts Center, Port Townsend, WA

Selected Group Exhibitions

2022       

Environmental Impact II, The Robert Bateman Centre, Victoria Harbour Steamship Terminal Building, Victoria, B.C.

2021       

Environmental Impact II, Alexandria Museum of Art, Alexandria, LA; The Detroit Zoo, Detroit, MI; Museum of The Rockies, Montana State University, Bozeman, MT

2020       

Environmental Impact II, The North Carolina Arboretum, ASheville, NC; Dennos Museum Center, Northwestern Michigan College, Traverse City, MI; Sternberg Museum of Natural History, Fort Hays State University, Hays KS

2019       

Environmental Impact II, The James Museum, St. Petersburg, FL
Celebrate Art: 27th Annual Group Exhibition, Patricia Rovzar Gallery, Seattle, WA
Seattle Art Fair, Patricia Rovzar Gallery, Seattle, WA
Motherland: 2019 CoCA Members’ Show, Center on Contemporary Art, Seattle, WA
We Love Vermillion, Vermillion Art Gallery, Seattle, WA

2018

Celebrate Art: 26 Years, Patricia Rovzar Gallery, Seattle, WA
Seattle Art Fair, Patricia Rovzar Gallery, Seattle, WA
Home, Bainbridge Island Museum of Art, Bainbridge Island, WA

2017

Celebrate Art: 25 Years, Patricia Rovzar Gallery, Seattle, WA
Out of Sight, Seattle Art Fair/Vital 5 Productions, Seattle, WA  
Work x 5, Clark Gallery, Lincoln, MA

2016

Northwest Art Now @ TAM, Tacoma Art Museum, Tacoma, WA
Environmental Impact I, Stauth Memorial Museum, Montezuma, KS; St. Mary’s College Museum of Art, Moraga, CA
Pop Up (AR)t, Mini Maker Faire, Experience Music Project, Seattle, WA
Title/Tidal: Artist Books and Water, Kohler Art Library, University of Wisconsin, Madison, WI

2015

Stilleven: Contemporary Still Life, Hallie Ford Museum of Art, Willamette University, Salem, OR
Neo-Naturalist, Museum of Northwest Art, La Conner, WA
Environmental Impact I, University Art Museum, University of Louisiana, Lafayette, LA; Brookgreen Gardens, Murrells Inlet, SC; The Art Museum, SUNY Potsdam, Potsdam, NY
Footing the Bill: Art and Our Ecological Footprint, Art Works for Change, Mill Valley, CA
Surge, Museum of Northwest Art, La Conner, WA
10x10x10xTieton, Mighty Tieton Warehouse, Tieton, WA

2014

Sustaining, Abmeyer + Wood Gallery, Seattle, WA
Environmental Impact I, Peninsula Fine Arts Center, Newport News, VA; Erie Art Museum, Erie, PA; Roger Tory Peterson
Institute, Jamestown, NY; Kalamazoo Institute of Arts, Kalamazoo, MI

2013

10x10x10xTieton, Mighty Tieton Gallery, Tieton, WA
The Meaning of Wood, Rose Center for the Arts, Lower Columbia College, Longview, WA

2012

Beneath the Surface: Rediscovering a World Worth Conserving, A.A.A.S. Headquarters, Washington, D.C.
Positive/Negative 27: Material Transformation, Slocumb Galleries, East Tennessee State University, Johnson City, TN
Politicizing Aesthetics, John A. Day Gallery University of South Dakota, Vermillion, SD
Celebration of Washington Artists, Artist Trust, Washington State Convention Center, Seattle, WA

2011

From Ordinary to Extraordinary: the Art of Being Green, Susquehanna Art Museum, Harrisburg, PA
Fate of the Forest, Whatcom Art Museum, Bellingham, WA
18th Juried Northwest Biennial, Schack Art Center, Everett, WA
Back Country, Port Angeles Fine Arts Center, Port Angeles, WA

2010
10x10x10xTieton, Mighty Tieton Gallery, Tieton, WA
Green: On the Edge, IMA Museum, Friday Harbor, WA
Safe Harbor, Port Angeles Fine Arts Center, Port Angeles, WA
Envision Cascadia! Washington State Department of Ecology, Olympia, WA

2009

Strait Art, Port Angeles Fine Arts Center, Port Angeles, WA

2008

Focus on Nature X, New York State Museum, Albany, NY
NuArt ’08, Art at the Port, Anacortes, WA

2007

Expressions Northwest, Northwind Art Center, Port Townsend, WA
Home is Where the HeArt Is, Port Angeles Fine Arts Center, Port Angeles, WA

2006
Then and Now: Collectors and Their Artists, Northwind Arts Center, Port Townsend, WA

2005
Culture and Agriculture, New Visions Museum Gallery, Marshfield, WI
Emergent: New Directions in Sustainable Art & Design, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI
Glimpses of Life, ArtsWest Gallery, Seattle, WA

2004
Architectural Detail, Fredericksburg Center for the Creative Arts, Fredericksburg, VA

2003
The American Landscape, Clark House Gallery, Bangor, ME

Public Art

2018       

King County Portable Works Collection, Seattle, WA

2015       

Surge, Welcome to the Plastisphere installation, Museum of Northwest Art, La Conner, WA

2013,18

Washington State Art Collection, Peninsula College, Port Angeles, WA

2011       

Tower Art Program, Painting Commission, Providence Medical Center, Everett, WA

2010       

Art Outside, Sculpture Installation, Port Angeles Fine Arts Center, Port Angeles, WA

Bibliography

“The Inspired Woman,” Marc Cain Customer Magazine, Bodelshausen, Spring – Summer, 2020.
Sefton, Nancy. “The Great Blue Heron,” Salish Magazine , Winter, 2019.
Fortmann, Sven. “Heart Still Beating,” Lodown Magazine , Berlin, October – December, 2019.
Martin, Megan. “Artist Karen Hackenberg’s New Book is a Pop Art Take on Environmental Apocalypse,” BlackBook , 23 August, 2019.
Hamada, Jeff. “Artist Spotlight: Karen Hackenberg,” Booooooom , Vancouver, B.C., 19, July 2019.
Craft, Kevin. “Karen Hackenberg,” Poetry Northwest, Volume XIII, Issue 2, Winter & Spring 2019, Everett, WA, 15 January 2019.
Mooney, Christopher. “The Second Coming,” Karen Hackenberg Monograph, Amsterdam, 20 July 2018.
Van Der Linden, Riet. “The Aesthetic of Pollution,” Karen Hackenberg Monograph, Amsterdam, 20 July 2018.
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Foster, Margaret. “Karen Hackenberg: Divine Detritus,” The American Scholar, 10 April 2017.
Phillips, Renee. “Karen Hackenberg Raises Awareness with Her ‘Watershed’ Series,” The Healing Power of Art & Artists, April 2017.
Hackenberg, Karen. “The Unshakable Habit of Noticing.” The MAHB Blog, Stanford University, Stanford, CA. April 2016.
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