Warner Friedman

Artist Bio Artist Work

Look inside Warner's studio here

Look inside Warner's studio here

Warner Friedman was the subject of a feature profile by Eunice Agar in the magazine The Artful Mind.

Warner Friedman was the subject of a feature profile by Eunice Agar in the magazine The Artful Mind.

Clark Gallery is honored to announce Warner Friedman's recent solo exhibition in Connecticut received a highly positive and enthusiastic review in the Summer issue of ARTnews by Celia McGee.

Clark Gallery is honored to announce Warner Friedman's recent solo exhibition in Connecticut received a highly positive and enthusiastic review in the Summer issue of ARTnews by Celia McGee.

The painting The White Pine made for a dramatic introduction to Warner Friedman's trompe l'oeil landscapes. Rising to its full ten-foot height directly opposite the vaulting gallery entrance, the painting appeared to be titling sharply away from the viewer until a closer approach revealed the optical il lusion created by a raked view on a shaped canvas.

Friedman, who trained as an engineer before enrolling in art at the Cooper Union, in 1957, frames each pristine, crisp New England landscape with elements of a built environment that reinforce a sense of place. In The White Pine, a minimalist Yankee porch - its columns alluding to the Federal era as well as to classical antiquity, which Friedman often quotes - engages witht he flattened view of a scraggly but upright evergreen and its surrounding terrain in a way that suggests unity and disharmony at once. This house, after all, could well have been built with pinewood felled from the former forestland.

Similar thoughts come to mind when taking in the artist's other framing devices: house corners, barnyard gates, seawall fretwork, cemetery fences, and rooftops. a storm-emptied beach is seen through an amputated section of a lifeguard station. These structural elements convey protection but also exclusion, shelter and segretation, cozy nearness and unsettling distance. These pictures embrace nature while controlling  it; here are the refined geometries of a certain vision ultimately wanting to keep uncertainty at bay.

The monumental, monochrome stretches of Friedman's fragmented architecture are as finely painted as his realist scenery. They show abstraction seeking a place amid representation. Litle wonder that Friedman includes the names Lewitt and Mondrian on tombstones in the half-imaginary New England graveyard of Civilization.

-Celia McGee

Collections

Alamo Rent A Car, Inc.
Mentor Partners
Albright College Museum of Art, Fort Lauderdale
The Andover Company News
American Publishing, Inc.
Becton Dickinson
Owens Corning Collection
Federal Reserve Bank of Boston
Tambrand, Inc.
Fidelity Investments
Texaco, Inc.
First National Bank of Chicago
The Wadsworth Atheneum
The McCrory Corporation
Boca Raton Museum Of Art

Grants

2006

Pollock-Krasner Foundation Grant

1996

Pollock-Krasner Foundation Grant

1993

Richard Florsheim Art Fund Grant

1990

Massachusetts Artist Fellowship

Selected Solo Shows

2008

New Arts Gallery (Litchfield, CT) – Exhibition of Recent Work

2007

Ferrin Gallery (Pittsfield, MA) -- Exhibition “Black White and Blue” Paintings From the Eighties
Berkshire Museum (Pittsfield, MA) -- Exhibition of Monumental Paintings 1982-1985.
Scott Richards Contemporary Art (San Francisco, CA) --Exhibition of Recent Work

2004

Hadaad-Lascano Gallery, (Gt. Barrington, MA) -- Exhibition of Recent Work

2003

Elaine Baker Gallery, (Boca Raton, FL)--Exhibition of Recent Work
Boca Raton Museum of Art --Retrospective Exhibition: “Surroundings”

2002

Elaine Baker Gallery, (Boca Raton, FL)--Exhibition of Recent Work

2001

Ute Stebich Gallery, (Lenox, MA)—Recent Paintings

1999

Elaine Baker Gallery, (Boca Raton, FL)--Exhibition of Recent Work
Ute Stebich Gallery, (Lenox, MA)--Exhibition of Recent Work 1998 Freites-Revilla Gallery, (Boca Raton, FL)--Recent Paintings 1996 Horwitch Newman Gallery, (Scottsdale, AZ)--Recent Paintings 1996 Carone Gallery, (Ft. Lauderdale, FL)--Exhibition of Recent Work

1994

Spazzi Fine Art, (Housatonic, MA)--Cut-Out Paintings of the Seventies
Carone Gallery, (Ft. Lauderdale, FL)--Exhibition of Recent Work

1993

Museum of Art, (Ft. Lauderdale, FL)--“Warner Friedman Paintings: Ideal Visions”
Five Points Gallery, (Chatham, N.Y.)--Exhibition of Recent Work

1992

Spazzi Fine Art, (Housatonic, MA)--Exhibition of Recent Work 1991 Schillay & Rehs Gallery, (N.Y.C.)--Exhibition of Recent Work 1991 Simons Rock College of Bard, (Gt. Barrington, MA)--Exhibition of Recent Work 1989 St. Peter’s Church, (N.Y.C.)--Paintings

1988

Central Connecticut State University, (New Britain, CT)-- Exhibition of Recent Work

1987

Bayless Gallery, (Norfolk, CT)--Exhibition of Recent Work--“Monuments”

1984

Freedman Gallery at Albright College--Painting Installation: “The South Shore”

1982

Jersey City College--Exhibition of Recent Work 1976 Winterhill Gallery, (Houston, TX)--Exhibition of Recent Work

1974

Simons Rock Early College, (Gt. Barrington, MA)--Exhibition of Recent Work

1972

University of Connecticut--Exhibition of Recent Work 1969 Wadsworth Atheneum, (Hartford, CT)--Exhibition of Eight “Labyrinth” Paintings

1965

Fischbach Gallery, (N.Y.C.)--Exhibition of Small Recent Paintings, Curated by Stephen Pepper
A.M. Sachs Gallery, (N.Y.C.)--Exhibition of Recent Work

Selected Group Shows

2007

Ferrin Gallery, (Lenox, MA)--“We Are There”

2006

Scott Richards Contemporary Art (San Francisco, CA)

2005

Berkshire Museum (Pittsfield, MA)--“The Power of Place”
Ferrin Gallery, (Lenox, MA)--“House of Wonder”
Elaine Baker Gallery, (Boca Raton, FL)—“The New Realism”, Curated by Louis K. Meise 2004 New Arts Gallery (Litchfield, CT)--“Drawing Today”

2004

Armory Art Center, (Palm Beach, FL)--“Bakers Dozen”
Ferrin Gallery, (Lenox, MA)—“Winter Light”

2003

New Arts Gallery (Litchfield, CT)--“Clear Vision”

2001

Hoorn-Ashby Gallery, (N.Y.C) --“The Discerning Eye”
Louis K. Meisel Gallery, (N.Y.C) --“Near and Far, Perspective & Structure”

1999

Geoff Young Gallery, (Gt. Barrington, MA)
The Albany Center Galleries, (Albany, N.Y.)--“Berkshire Artists”

1998

Cristinerose Gallery, (N.Y.C)
Elaine Baker Gallery, (Boca Raton, FL)

1997

Krasdale Foods Inc.
Westunberg Gallery, (Gt. Barrington, MA)--“The Alphabet of Trees”

1996

Robert Kidd Gallery, (Birmingham, MI)

1995

The Springfield Museum of Fine Art, (Springfield, MA)--“ The New Landscape”

1994

Bachelier-Cardonsky Gallery, (Kent, CT)--“Viewpoints”

1993

Carone Gallery, (Ft. Lauderdale, FL)

1992

Robert Kidd Gallery, (Birmingham, MI)
Spazzi Fine Art, (Housatonic, MA)--”Cacophony”
Five Points Gallery, (Chatham, N.Y.)--”Spirituality and Symbols of Eroticism”

1991

Schillay & Rehs Gallery, (N.Y.C.)

1990

Ted Gallery, (Albany, N.Y.)--”Aspects of Realism”

1989

Berkshire Artisans Gallery, (Pittsfield, MA)

1987

Leonarda Di Mauro Gallery, (N.Y.C.)

1985

Civilization, (N.Y.C.)--Benefit Exhibition of Small Works

1981

Berkshire Museum, (Pittsfield, MA)--First Annual Invitational Exhibit, Curated by Debra Balken

1978

Susan Caldwell Gallery, (N.Y.C.)--”Towards the Monochromatic”, Curated by Michael Walls

1975

Contemporary Gallery, (Dallas, TX)

1973

University of Connecticut--Faculty Show

1972

Wadsworth Atheneum--Connecticut Academy

1970

Wadsworth Atheneum--”Black, White & Grey”, Curated by Sam Wagstaff 1966 Corcoran Gallery, (Washington, D.C.)

1966

Park Place Gallery, (N.Y.C.)

1964

Pennsylvania Academy 1963 Brata Gallery, (N.Y.C.)--”Friends of the Tenth Street Co-ops” l

Selected Articles & Reviews

Keith V. Shaw, “Small Gems”, The Berkshire Eagle, 2008
Amy Norkus, “Black, White and Blue”, The Berkshire Eagle, 2007 Geoffrey Young, “Recent Readings of the Housatonic”, from “Art and the River” 2005
Jennifer Ball, “Drawing Today”, Art News, January 2005
Heather Schreckengast, “Warner Friedman: Voyeur Of Nature”, Florida Design, Spring 2004
Dale M. King, “Surroundings”, The Sun-Sentinel, October 13, 2003. Gary Schwan, “Warner Friedman”, Palm Beach Post, October 12, 2003.
Ken Willis, “Surroundings”, Citylink, September 17, 2003.
Gary Rausch, “Landscape Frame-up”, Scottsdale Tribune, July 11, 1996.
Gloria Russell, “The New Landscape,” Springfield Museum of Fine Arts, Sunday Republican, September 10, 1995.
Daniel M. Klein, “Berkshire Landscapes”, Berkshire Magazine, Spring 1995.
Jude Schwendenwien, “Viewpoints” at Bachelier-Chardonsky, Art New England, October-November 1994.
Charles Hagen, “In Connecticut”, New York Times, July 8, 1994. Roger Hurlburt, “The Mathematics of Art”, The Sun-Sentinel, February 20, 1994.
Helen L. Kohen, “Warner Friedman Paintings: Ideal Visions”, Miami Herald, Sept. 26, 1993.
Eunice Agar, “Warner Friedman”, American Artist, January 1989. Tullio DeSantis, “Friedman at the Freedman”, The Reading Eagle, May 20, 1984.
Charles Boneti, “1981 Berkshire Museum Invitational”, Art New England, August 1981.